The Beginners (B) competition is suspended because too few members are entering the competition to make it worthwhile. When there are too few competitors it somewhat limits how you are able to compare your images against other entries and assess your own progress. Our scoring system should provide all competitors in the unified competition a good metric by which to assess their progress through the season.
Competition rules
1. COMPETITIONS
The following competitions will be staged annually. Competition dates and dates for handing in entries are published in the programme for the season. Entries will normally be submitted two weeks in advance of the competition.
Entry is limited to no more than 2 prints and 2 projected digital images per author. The same or “significantly similar” image may be used only once (either as a print or projected digital image).
1.1 THEME AND PRESIDENT’S SET SUBJECT COMPETITIONS
As the name implies all prints and projected digital images entered for these competitions must conform to the published subject. The President’s Set Subject shall be chosen by the outgoing President and is announced at the Annual General Meeting.
1.2 MONOCHROME COMPETITION
Images entered must be monochromatic. (which may be singly toned in a single tone colour). Monochrome images which have one or more added colours/dyes will not be accepted. This definition has been taken from the FIAP definition for Monochrome and is used by the PAGB. Converted colour images entered in previous competitions are eligible but this is the only occasion where the same image can be entered twice.
1.3. OPEN COMPETITION
Images may be of any subject, colour or monochrome.
1.4 NATURAL HISTORY/ NATURE
Natural History photography is restricted to the use of the photographic process to depict all branches of natural history, except anthropology and archaeology, in such a fashion that a well-informed person will be able to identify the subject material and certify its honest presentation.
Processing of the captured image, by cropping, exposure adjustment, colour correction, noise minimisation, dodging/ burning, HDR, focus stacking and sharpening, is allowed. Cloning of image defects and distractions, including overlapping elements, are permitted when these do not distort the truth of the photographic statement.
Natural History excludes:
- images where the subjects are obviously domestic animals or plants Photographs of human created hybrid plants, cultivated plants, feral animals, domestic animals, or mounted specimens are ineligible.
- images where an obviously artistic treatment has been applied
Images entered as Natural History can have geologic formations, weather phenomena, and extant organisms as the primary subject matter. This includes images taken with the subjects in controlled conditions, such as zoos, game parks, botanical gardens, aquariums and any enclosure where the subjects are totally dependent on man for food.
1.5 PEOPLE
Images of people may include formal or informal posed or candid portraits, showing something of the character, personality or occupation of the subject as well as avant-garde artistic compositions.
1.6 ABSTRACT
An abstract photograph is a picture of something that is non-representational and does not directly look like what it actually is. If you show someone an example of your abstract photography and they say “wow, that’s a great photo….What is it?” then you have nailed this genre of photography. The viewer is often unable to see the whole subject within the photo and it may often be only a small part of the idea of the image. Viewers may only know the essence of the subject or understand it by what is implied. They are drawn in to the image by the beauty, interest, uniqueness of the visual experience or emotion that is evoked. Abstracts often major on elements such as Line, Shape, Form, Space, Colour and texture.
2. GENERAL RULES
The following rules are applicable to all competitions.
CPS can utilise any image entered for publicity purposes and to represent CPS in Interclub, L&CPU or PAGB competitions.
Note that all photographs chosen to represent the Society in external competitions under the auspices of the Lancashire and Cheshire Photographic Union (L&CPU) and the Photographic Alliance of Great Britain (PAGB) should comply with the rules of those bodies.
Prints may be home or trade produced.
“Significantly similar” means, for example, any image that may be an alternative crop of another image, or an exposure of the same subject within the same time period and from the same or adjacent viewpoint.
There is no restriction on the technology used to transfer the image onto the print medium.
Except in the case of the Natural History category there is no restriction on the manipulation of the image using either traditional darkroom, digital or any kind of technique provided that the manipulation is performed by the author. There are, however, restrictions on the original source of the image. All elements of the image must be the work of the author. AI generated images are not accepted as part or whole of an entered image. AI tools may be used to select/enhance an image.
3. PRESENTATION OF ENTRIES
3.1 PRINTS
Mounts must be 50 cm x 40 cm. When a mount overlay is used it should be mounted on top of the print mount and be the same size. No sticky tape will be allowed on the back of the mounts. Maximum mount thickness must not exceed 4 mm. The author’s membership number and the title of the image must appear on the back of the print in the top left-hand corner of the rear of the image. (Your name should not appear on the print)
To permit the image to be clearly viewed by the audience during the competition a digital copy will be projected. All prints submitted must be accompanied by a digital copy as defined below.
3.2 DIGITAL
The images for both the Projected Digital Image (PDI) Competition and those for projection during the Print Competitions shall be submitted to the nominated person by the specified date by e-mail.
The colour space shall be sRGB.
The format shall be JPEG using maximum quality.
Monochrome images are permitted providing they are in RGB mode – not grayscale.
The images will be projected using DiCentra software – a program designed for such competitions. All images will be presented against a black background. You may apply a border to your image.
The following rules apply to meet the requirements of this software and to help the projectionists do their work efficiently.
- The size of the image shall not exceed 1600 pixels wide by 1200 pixels high. An image in portrait orientation should not exceed 1200 pixels high.
- Images for the DPI Competition shall be placed in a folder labelled with your Name, followed by A followed by D (for Digital) e.g. W Smith AD
- Digital copies of prints shall be placed in a separate folder labelled with your Name, followed by P (for Print) e.g. W Smith P
- Inside the folder each image shall be given a number (1, 2, etc) followed by a space followed by the Title but no full stop at the end e.g. 1 Lion 2 Sun flower
Guidance on the above:
Colour Space: If you are using Adobe RGB(1998) or Pro Photo colour space go to Edit/ Convert to Profile in Photoshop and change the Destination Space to sRGB.
Image Size: Go to Image/ Image Size in Photoshop and tick the Resample Image box and the Constrain Proportions box and set the bottom box to Bicubic Sharper. For landscape shaped images alter the width to 1600 pixels and check that the height does not exceed 1200 pixels. For portrait shaped images alter the height to 1200 pixels.
An image 1200 pixels wide by 1600 pixels high is TOO BIG because it exceeds the maximum height of 1200 pixels.
An image 1600 pixels wide by 1275 pixels high is TOO BIG because it exceeds the maximum height of 1200 pixels.
An image 1500 pixels wide by 1200 pixels high is acceptable.
Borders: It is not necessary to add a black background to your image as the display software already provides this. You may wish to add a thin white border, however. You can do this in Photoshop by selecting the image (Ctrl A) and then go to Edit/Stroke, set the width to 3 pixels (say), colour white and the location to ‘inside’.
Finally deselect the image (Ctrl D) And then ‘SAVE AS’ not ‘SAVE’ to ensure you do not overwrite your original!!
4. POINTS AWARDED
In all competitions judges will be asked to award 20 points to an overall winner. All other images will be awarded 10-19 points.
Points for all competitions are totalled for the Print and Projected Digital Image Photographer of the year.
The winner of the overall number of points will be awarded the ‘Photographer of the Year’ award.
5. RETENTION OF ENTRIES
Prints submitted to the LCPU Annual Competition in April may be retained by them for up to two years for other competitions or folios.
6. TROPHIES
Trophies are awarded at the Annual Dinner or Annual General Meeting and are held by the recipients for the period of one year. A list of all trophies and awards will be maintained on the Society’s website.