Chester PS has significantly improved its performance in the GB Cup for Small Clubs by finishing 3rd in the Open Digital Section.
Congratulations go to Richard Barrett for collecting a Silver Medal for Wild Wales in August, which was the Simon Allen Judge’s Choice; and to Malcolm Peacock whose Praying Nun gained a Bronze Medal for the Best Portrait. Chester did well to scoop two of the eleven medals awarded.
The entries must be from at least 4 different photographers and each is marked out of five by three judges. This year’s judges were Andrea Hargreaves, Joan Blease and Simon Allen. Natural History images are NOT permitted in the Open section – but perhaps we will be encouraged to enter this section in the future.
Thanks go to the authors of the images used and to Keith Fitzpatrick for submitting our entry.
John Lewis kindly invited us to exhibit some of our photos in their Gallery within the cafeteria area of their store on the Greyhound Shopping Park. White mounts and frames have complimented the display of Mono Prints which will be on show until March.
The exhibition features places within conservation areas in and around Chester, and showcases the high quality of mono-printing produced by Chester PS members. Do take a look next time you are in the area, and also encourage family and friends to visit the exhibition over the next couple of months.
Thanks go to Graham Latter for making the initial contact, Rob Adams for co-ordinating the prints and the shop support staff at John Lewis for mounting and hanging the exhibits.
In September, during our short Annual Exhibition in St Mary’s Creative Space, the stewards were given this catalogue by a lady who had kindly brought it in for members of the club .
It is really interesting to read that our headquarters were at the Grosvenor Museum , and that the exhibition was displayed at Chester Town Hall from 6th June to 20th June between 10am and 9pm each weekday ! The President expresses his gratitude to Chester City Corporation for their continued encouragement , co-operation, and extremely generous gesture of placing the Town Hall facilities at the club’s disposal.
The adverts make for interesting reading , and many of us will remember Will R. Rose Ltd in Bridge St Row.
Over 600 prints and 400 slides were entered from all around the world with an acceptance rate of less than 1/3rd. The categories were Pictorial, Natural History, and Record :
Chester PS hosted the Annual Interclub Print knockout at the Grosvenor Museum with twelve clubs participating. The judge for the evening was Paul Williamson LRPS from Bolton Digital PS and visitors were welcomed by Chester PS President Graham Latter. Nantwich swept the board by winning the Best Colour Print, Best Mono Print and they topped the table with 25 points. Mold came second with 18 points and Deeside and Mid Cheshire were joint third with 17 points. Chester lost all their prints by the second round in the colour section and our best performer was Richard Barrett’s mono print The Persistent Pedaller. The winning colour print was taken by Wray Douglas in Costa Rica.
Thanks go to all the participants who arrived in good time enabling a prompt start, and to all the CPS organisers and helpers who took on vital roles during the evening.
Malcolm Peacock our current CPS Photographer of the Year , has proven why he is on the top spot by winning a host of awards this year. The most prestigious by far is the Fremantle International Portrait Prize , held biennially , which had an entry of 1800 images.
The Fremantle International Portrait Prize (FIPP) was founded in 2010, based on an idea by Fremantle professional photographer, Dale Neill. It is open to all people worldwide and is assessed by the highest quality of independent judges gaining it a reputation as one of the leading photographic competitions in Australia. FIPP believes that photography is an international language and the biennial competition acts as an artistic magnet attracting photographic ideas, excellence and innovation from around the world. Every time someone enters FIPP they are also playing a small part in contributing to two worthwhile charities.
Malcolm knew that he was a finalist about two weeks prior to the announcements, but was actually on his way to Spain when the final results came through. Unable to be in Australia for the presentation – where results were announced live – he asked some family friends who lived nearby to go along to the event to accept on his behalf. The e-mail arrived in Malcolm’s inbox just as he was boarding his flight and he was stunned to find out that he was the first UK Photographer to win the overall competition. There is a short video in which Malcolm talks about taking the photograph which can be viewed on the FIPP facebook page.
Malcolm gained his BPE 2* earlier this year, after gaining 50 acceptances in British Photographic Exhibition approved Salons. Several images have been awarded commendations and ribbons.
Other notable successes include: Scottish International Salon – 1 Judges award . -1 PSA Gold Medal for Best Overall Picture. Edinburgh International Print Salon – 1 FIAP Gold Medal. Hoylake International Salon – 1 Judges Choice . – 1 PSA Gold Medal.
Malcolm is now addicted to competitions and is currently working towards awards from PSA (Photographic Society of America) , FIAP (International Federation of Photographic Art) and BPE3* (British Photographic Exhibitions ).
Congratulations Malcolm from all at Chester Photographic Society !
Visitors to our recent Exhibition in St Mary’s Centre were asked to vote for their favourite prints, and as expected the choices were very varied. Forty nine of the prints on display received votes , with only a point separating the top three. The overall winner was Winter’s Glow by Ray Groome. Second place was awarded to Orangutan by Keith Fitzpatrick, with Asad Syed’s If Eyes Could Talk in third place.
Thanks go to Rob Adams for collating and labelling the prints, those who came along to set up and to the Stewards . The prints really showcased the wide variety of photographic interests amongst the membership. Visitors commented on how difficult it was for them to choose a favourite because of the wide range of subject matter on display.
Colin Hulley from Permajet came along to deliver a Colour Management and Printing workshop at Vicar’s Cross on Saturday. Thirteen club members attended , making it pretty much a full house.
The morning was dedicated to Colour Management , Monitor Calibration and the importance of ICC Profiling for different papers. In the afternoon images were printed on to two different papers, so that comparisons could be made, using a Canon Pro 10s.
Colin brought along the full range of Permajet papers which proved very tempting to most of us! Details of their range plus lots of useful information can be found on their website at http://www.permajet.com
Many thanks to Jan Wilding for organising another very informative, sociable and great value workshop.
There are just a couple of weeks left if you want to see the PAGB Inter Federation touring Print exhibition which is being hosted by the L&CPU. This is a chance to see a selection of photography from across the various federations which make up the Photographic Alliance of Great Britain. The mono section was particularly strong.
Leigh Spinners Mill is located in Mill Park Lane, Leigh, Lancashire, WN7 2LB. The prints are on display on the Second floor which does have a lift. The exhibition is open daily from 9am to 6pm and it finishes on the 3rd September. If you visit on a Saturday morning between 10am-12 noon the volunteers will show you around the engine house on the ground floor which is being restored. There is no admission charge but donations are most welcome. There is a café there as well.
If visiting on Saturdays, it’s worth making a day out of your visit, not only to photograph the steam engines at the mill, but also to visit Astley Green Colliery, a few miles away on the East Lancs road. This museum boasts the only surviving pit head gear but two very large compound steam engines as well as lots of interesting stuff in the yard.